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MXR M282 DYNA COMP Bass Compressor

   
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MXR® M282 DYNA COMP® Bass Compressor

This pedal delivers the iconic Dyna Comp Compressor sound in bass-friendly form thanks to a Clean control for maintaining low end integrity and a Tone control to adjust your upper midrange to retain playing dynamics.

This pedal can be powered by a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

The Long Story

The Dyna Comp Bass Compressor delivers the most iconic compression sound in music history, tweaked and tuned just for bass players. Built around the classic CA3080 “metal can” integrated circuit for its quiet operation, superior transparency, and increased dynamic range, this pedal comes with all the controls you need to shape your compressed sound in no time at all.

The heroes of the Dyna Comp Bass Compressor’s interface are the Clean and Tone controls. The Clean control lets you add in your unaffected bass signal so that you can maintain low end integrity, while the Tone control adjusts the upper midrange to retain the tonal dynamics of your bass. Familiar Output and Sensitivity controls set volume level and the length of sustain, while the Attack switch toggles between a vintage style slow attack time and a modern style fast attack time.

And you know what? It all comes in an MXR mini housing, so making room for it on your pedalboard will be a cinch.

A Dyna Comp-rehensive History


Despite the overwhelming consensus that compressors are one of the most indispensable studio tools, compressor pedals can be one of the most misunderstood effects. Some players swear by them, others avoid them. But if you need sustain without distortion or want to tame aggressive peaks and even out dynamics, a good compressor is the ticket. And when guitarists think about compressor pedals, they think about a little red box called the MXR® Dyna Comp® Compressor.

Released in 1972, the Dyna Comp Compressor featured simple, straightforward controls—labeled Output and Sensitivity—to govern the volume and compression levels, respectively. Inside, it contained the coveted CA3080 metal can integrated circuit, which remains a key component to its sound and vibe.

The original Dyna Comp Compressor was an instant hit, finding its way into the signal chains of monster players such as Lowell George and Bonnie Raitt, who favored it for the sweet sustain it lent to their slide work, and David Gilmour, who liked how the Dyna Comp Compressor could make his single-note lines bloom and soar. Other prominent guitarists who would rely on the Dyna Comp Compressor include Andy Summers—his popping, ringing clean chords are a perfect illustration of the pedal’s sonic mojo.

But while some compressors pride themselves on being “transparent,” that has never been the Dyna Comp Compressor’s thing. This is a pedal that imparts a delightful and musical color to the sound. Far from being a drawback, this tonal fingerprint is precisely what draws players to the Dyna Comp Compressor’s strong personality. Countless Nashville pickers insist on the signature squash that this pedal provides.

Over the years, the MXR line of compressors has grown way beyond the legendary Script Logo model that started it all, with more features and control over the sound, making it easy to find a comp for any situation.


Bass Compressor

For those who want total control over their compressed signal, these two pedals pack all the power of much more expensive studio compression units into standard stompbox housings. They’ll let you dial in the classic Dyna Comp Compressor squash, but these pedals are built for the utilitarian intricacies of the stage and the studio. With knobs for Attack, Release, Ratio, Input, and Output, plus a bright LED meter to monitor gain reduction, these are some of the most full-featured compressor pedals ever made. With proprietary Constant Headroom Technology™ and true-bypass switching, these are state-of-the-art tone shaping tools.